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Thursday, December 7, 2017

Poem "His Land is Kashmeer, " by Shahid Shafi, and analysis by "Tariq Ahmad Tariq"



Shahid Shafi's poem
His Land Is Kashmir
Revew by: Tariq Ahmad Tariq
Asalaam Alikum.
I suppose every poet treasures aestheticism. Poets know the art of exploring beauty of ideas. They choose inspirations worth spreading, feelings worth sharing, and harbour words which attract all the senses of the readers simulteanously. Poets never use monotonous words. They shun the words which fail to convey the ideas in their original occurence. These words, like those of roses, seem to smell sweet at the very first sight. Emotions carried arround in the cart of unfamaliar diction find poor respondands.
The great poets of every age have believed in the simple diction. Wordsworth of the gone by ages, and Maya Angelou of the present age need not the help of lexicons or thesaruses to understand. Their message finds no transmission loss any where in the world.
I suppose the kashmiri born poets writing in English are tough to understand,  than any of the native English poets. Kashmiri poets, i suppose, fit ideas to the words having different connotations and feel the work is done for them. They need , as i feel,to revisit their approach and write heartfelt sentiments in the natural flow, they get birth in.
When I read the poem. I see that the first stanza is simply a pack of phrases with out completion of the idea.
The word "is" is needed to be inserted before "frightened" to make it a complete idea. The first stanza, even after making it connotative, still fails to evoke response, or raise curiousity in the reader.
The second stanza presents "a monster", gulping the youths. The boy presented in the first stanza is made to repeat the same helplessness which he is destined with in the first stanza. The monister is shown doing nothing to the boy. Here the narrater leads from the front and paints the  helplessness of the boy on his canvas.
In the whole poem 'liquidation dreams', and 'monister' could have been developed into symbols, and the reader could have found his role by making varied connotations; but the poet has explained every thing before hand, and spoiled the texture of the poem to the core.
Barring visual images, the poem has nothing to showcase. The poem loses epigramic essence.
We all believe that
Words are just like leaves, and
Where they most abound
Much fruit of sense is rarely found.
The prose version of this poem can be even more concise than that of the poem itself.
Summary:
In a sorrowful night, a run- away boy from an opressed land got frightened with his floating dreams. An awful monister, in this land, would gulf the youth of this land. The boy at seeing him started sobbing and chrushing teeth in desperation. The poet notices, and simply potrays his helplessness on the canvas.
The poet has put his best efforts. He, however, needs embrace a broader perspective to and prensent his sentiments accordingly.
Good luck to the poem.. 

Monday, December 4, 2017

غزل "طارق احمد طارق"۔تبصرہ۔حسن اظہر۔شاھد شفیع۔






Tariq Ahmad Malik
غزل.... طارق احمد طارق
تبصر نگار... حسن اظہر
ازچی غزل ووچھتھ گو دل واریاہ شاد. پانژن شارن پیٹھ مشتمل یہ غزل چھے سیٹھہے نفیس، شاندار تہ جاندار. مذکور غزلہ ہند اسلوب چھے بالکل سادروار باسان تہ شاعر چھے واریہس حدس تام پپنی الگ پہچان بناونس منز کامیاب سپدمت. غزل وننہ خآطر یمہ لوازمات چھے، تمہ چھے سارے مذکور غزل پانس اندر شپراوتھ...
شاعر چھے گہے ماضی تہ حال ٹکرآوتھ پرن والس مثبت سوچ عطا کران تہ گاہے تصویریہ ہندی زہ روخ پیش کرتھ بوزن والس حآران کران.
غزلہ ہندس ردیف قافیس اندر چھنہ کانہہ جدت، ہاں البتہ شاعرہ سندی باڑو دار تخیلن چھے اتھ ضرور نویر بخشمت... البتہ یوکن زنہ وارہو دوستو اشارہ چھے کرمت سہ گو خیالس چھنہ الفاظ معنی رنگی ساتھ ہیکان دیتھ....
شعر نمبر ۱:
غزلہ ہند مطلع چھ واریاہ خوبصورت. شارس اندر یس صورتِ حال تہ اجمالی کیفیت وتلان چھے، سہ چھے پرن والس اکھ عجیب لطف دوان. مگر اتھ شارس اندر چھے اکھ غآر ضروری لفظ استعمال گمت یمہ سببہ شارک حسن ہنا زائل چھ گومت.... لفظ «سہ» چھے شارس اندر میانہ خیالہ عروضی مجبوری....
ناگہ جوین تہ لولہ وتن ہند خوبصورت استعمال سآتی چھے شار سیود دلس منز وسان مگر سوال چھ ناگہ جوئے ہیکہ آستھ مگر لول وتہِ  ہنزی ترکیب چھا روا....
شعر نمبر۲:
یہ چھے انتہائی خوبصورت شار. شاعرس چھے اوبر تہ زون ووچھتھ کس تام عاشق یاد پیوان یس اوبرک تہ زونہٍ ہند لولہ منظر ووچھتھ بے بس چھے گژھان... اوبرکی زونہِ مآٹھی کرن چھے شاعرہ سنز اعلی  فنکاری ہند باس دوان...
عاشق آوارہ بہ مثلِ اوبر، معشوق پر کشش بہ مثلِ زون...
شعر نمبر ۳:
یہ شار چھے الفاظن ہندی ورتاو سببہ کمزور مگر خیالہ رنگی اعلی
شاعر چھے ونان یوتام یمس رات...
یوتام تہ گو رات تام
ووچھس شاف کرن چھے البتہ سادر وار ترکیب
شار نمبر ۴:
یہ شار چھے تم کربلہک برملا اظہار یتھ اندر آسی سارے ہنہ آمتی چھے.... یتین چھے شاعر سنز حس آگہی عروجس پیٹھ
شار نمبر ۵:
تاج محل اچھن تل روزن، دل تہ جگر سجد کرن چھے پرن والس خبر کوت واتناوان تہ اکھ حسین تہ خوبصورت منظر چشمن منز بساوان
کلہم پآٹھی چھے غزل واریاہ اصل تہ شاعرن چھے اکھ کامیاب کوشش کرمژ... ازیک دنیا، یم شاعری ہند تقاضہ چھے کران تتھ پیٹھ چھے مذکورہ غزل واریہس حدس تام ووتران...
حسن اظہر
جنرل سیکرٹری
رفیع آباد ادبی مرکز
Dated: 03/12/2017
.............................................
Shahid Shafi Review
Incredible! Belive me the poet has striked a master stroke in the poem. The subject is altogether a novel one showering rainbow of romanticism. The sucess of the poem lies on the treatment of irony poet has used. One line is complete contrast to the suceeding line. I remember here the modern critic of english literature Cleaneth Brooks who in an essay titled "Irony as a principle of structure" stresses the importance of irony in the poetry. Same irony is the beauty of the present Gazal.
Look at the second splendid feature of the poem that is oxymorn. There are two opposite states of ideas between the lines that is oxymorn.
The Gazal begins in a catchy manner and sudden arrests the attention of reader. The man who was yesterday closing the brook(was filling it with soil to close down it) was welcoming people with bouquet of flowers. He was now full of love and affection and has denied to hatred yesterday he bore. What a great begining!
Look at the second line. Beauty i must say here is in the writing of this poem. His wounds of love were awaken afresh when he saw clouds kissing the moon. This verse is filled with tons of rommance.
Look at the third verse. His bossom was frightened and silent yesterday. Look today how wittily he is crossing the dal lake. Beauty sir poet. You have shown your worth of singularity.
Look at another verse. I am impressed. Yeasterday He was proud of his city life but look how he is now searching chinar shade. He is now fed up with the same city that was rich the facilities of life but now it is polluted and wore an ugly look.
The poem is a clean anger against the modern values of life. The subject of the poem is itself moden and grave one. The symbols and metaphors places it a unique position among modern Gazals.
Kudos to the poet.
Reviewer
Shahid Shafi